Filmmaker Profile: Sarah Tavner, Director of Dicing with Sex

Sarah Tavner’s ‘Dicing with Sex’ has been nominated in the Best Documentary category at this years Film & TV Gala Awards. Sarah is a veteran in the Deaf TV world, with over 17 years of experience under her belt.

Damien - 'Dicing with Sex'

Sarah started her career at the tender age of 23 at BBC Wales, and has made a significant contribution to Deaf TV since her move to See Hear, and then finally to Remark! where she is a much-loved Series Producer.

Group with Damien - 'Dicing with Sex'

Sarah tirelessly campaigns for Deaf rights, as evident in her documentary on the lack of access to sex education within the Deaf community. Sarah was filming in Blackpool and was shocked to find how ignorant some Deaf teenagers were.

“it was frightening and spurred me on to make a documentary exploiting this serious issue”

Sarah is no newbie to Deaffest, she won the ‘Best Factual’ award for her documentary, ‘Deaf Brain’, in 2009. She hopes that ‘Dicing with Sex’ stands in good stead at this year’s festival.

“it is extremely important to raise awareness that deaf people need adequate access to sex education.”

‘Dicing with Sex’ has been shortlisted for Best Documentary at this year’s Gala Awards.

Filmmaker Profile: Charlie Swinbourne, Writer of Hands Solo

Charlie Swinbourne - Writer of Hands Solo

Charlie Swinbourne wrote Hands Solo,  which went on to be funded by the UK Film Council and released in cinemas across the UK (as part of The Magic Hour) in 2008.

The film, starring Matt Kirby and directed by William Mager, is nominated for best drama at this year’s Deaffest, after winning the Best Short Film award at the World Deaf Cinema Awards last year.

Charlie talks about the creation of the film:

-“I wanted to do something comedic that would present a deaf person in a new way. We rarely see deaf people presented in a sexualised manner, so suddenly this idea came up, of a deaf man who happens to be so good at, ahem, making love, that he’s become an adult movie star. I figured if he was deaf, he might be very very good with his hands. And suddenly the name Hands Solo came up! One night I told William Mager about the idea and he loved it – and we went on to get funding from the UK Film Council.”

Hans Solo played by Matt Kirby

What was the difference between that early script and the final film?

“Some things stayed the same, and some things, over around 20 drafts, changed massively! I was lucky to have a lot of support and ideas from William and we also worked closely with a script editor. Gradually the story was honed down so it became more and more punchy, shorter, and funnier, I think!”

Was Charlie happy with the final film?

“I loved it! William and I went through a big process in making the film, it took up 8 months of our life and William deserves a lot of credit for putting the full humour of the film onto the screen.  I also think that deaf actors Matt Kirby (who played Hands) and Deepa Shastri were outstanding –  comedy is much harder to act than people realise. It’s something we’re all very proud of and winning the award in America last year was a big honour, especially after we worked so hard on it!”

Charlie has written seven films and one play, including the new drama My Song, which will premiere on the first night of Deaffest this year. How has his scriptwriting career progressed since his first short film, Coming Out (directed by Louis Neethling)?

“It’s strange looking back because Coming Out was quite instinctive, it was something that came to me and I just wrote it, then it got made and it did really well. After that the challenge was to think of new ideas, and this is the crucial thing: work out what, as a writer, I wanted to say. Most of my films have some kind of purpose behind them, it might be to make people laugh, or to convey an aspect of deaf culture that hasn’t been seen before.”

Hands Solo and Coming Home have been nominated in Best Drama in the Gala and My Song will be screened on the friday night of the festival.


Filmmaker Profile: Max Heidenfelder & Anna-Lilja Hafele, Directors of Waiting

“Music is more than just an aural pleasure”
The music video for Frankfurt based band Breitenbach is like no other. The collective creating ability of Max Heidenfelder and Anna-Lilja Häfele has resulted in a music video which is as accessible to the hearing as it is to the Deaf or hard of hearing. With the use of four Deaf performers they have converted the English lyrics into German sign language (DGS). Across the top of the frame there is the music each instrument is playing and across the bottom, the audience is able to follow the beat of the song.

“We want to rock, we want to be heard – through ears and eyes,” states Toby Breitenbach, singer of the band. “And we wanted to give access to our music.”

The project was Max’s final project as part of his film course. He teamed up with Lilja who has worked on various sign language projects prior to this one. She has a great interest in music and sign language and has previously produced material for D-Pan, a Deaf professional artist network in the US.

Being a hearing man, Max faced prejudices with people not believing he could create this piece of work or that it was aimed at too small an audience. Overcoming these doubts, the pair have been able to create a masterpiece which will be the start of many.

 Max & Lilja:  “This won´t be our last signed project! This was a first test for us as a team and for projects of this kind. We gained a lot of experiences that we now have to evaluate. We allowed ourselves a lot of creative latitude with ‘Waiting’. To try things out, make some mistakes and learn from it.”

Waiting has been nominated in the Best Experimental category at this years Deaffest Film & TV Gala Awards.